5 notes • 9:56 AM

thereisjane:

zu/hause

(via thereisjane)

welzenis:

Jan Willem van Welzenis, 2015

Oil, soft pastel on paper, 25" x 19"/ 64 x 48 cm

(via thereisjane)

violentwavesofemotion:

“I used to consider absence a lack. And I ignorantly regretted that lack. Today I have nothing to regret. There is no lack in absence. Absence is a presence in me. And I feel it, a perfect whiteness, so close and cozy in my arms that I laugh, dance, and invent glad exclamations, since absence, this embodied absence, can’t be taken away from me.”

Carlos Drummond de Andrade, tr. by Mark Strand, from “Absence,

(via kehrouac)

aegeanesea:

“Charm me. Furiously. Torment me. In detail.”

Hermann Hesse, from Crisis: Pages from a Diary; “The Seducer,
(via violentwavesofemotion)

(via oeut)

(Source: archive.org, via floresastrais)

polykowiak:

“…there are moments when I am almost frightened at the way you have invaded me […] I feel strangely exposed to you. Sometimes I seem to stand aside and marvel at your way of touching me here, now there.”

Anaïs Nin in a letter to Henry Miller, August 4, 1932, A Literate Passion.
(via parisi0n)

(via oeut)

ciriofthewolf:

“Oh we’re a mess, poor humans, poor flesh—hybrids of angels and animals, dolls with diamonds stuffed inside them We’ve been to the moon and we’re still fighting over Jerusalem. Let me tell you what I do know: I am more than one thing, and not all of those things are good. The truth is complicated. It’s two-toned, multi-vocal, bittersweet. I used to think that if I dug deep enough to discover something sad and ugly, I’d know it was something true. Now I’m trying to dig deeper.”

— Richard Siken, Black Telephone  (via briqou)

(Source: anotherblogaboutquotes-blog, via oeut)

sad-plath:

앞에 / Both sides now I

(Source: moonassi.com, via sad-plath)

goguexx:

by Stanley Kubrick

(via egopusher)

lifeinpoetry:

                   I ran and I ran through the 2 a.m. streets.

It was my way of breaking free. I was anything but history.
I was the wind.

Joy Harjo, from “Running,” published in The New Yorker

(Source: newyorker.com, via egopusher)

(Source: designbby, via egopusher)

fioui:

REHEARSAL by GERARDO VIZMANOS

(via egopusher)

2,130 notes • 11:25 AM

exhaustedscreen:

Sample cards from Brian Eno and Peter Schmidt’s ‘Oblique Strategies’, first published in 1975.

(via egopusher)

vodis:

by donald christie for i-D 1997

(via egopusher)

1,755 notes • 10:16 AM

redlipstickresurrected:

Film Still for Sympathy for Mr. Vengeance aka 복수는 나의 것 aka Boksuneun Naui Geot. It is the first installment of director Park Chan-wook’s The Vengeance Trilogy.

(Source: mubi.com, via oeut)